“Good Omens” is based on the novel by Nail Gaimon and Terry Pratchett. Aziraphale (Michael Sheen) and Crowley (David Tennant) are an Angel and Demon who are quite fond of humanity and, grudgingly, of each other. They have had off the books meetings for centuries and have perhaps each influenced the other in a way that their supervisors wouldn’t condone. When Crowley is called upon to deliver the Antichrist, he knows the end is near. The demon and angel agree to each stay close to the child and try to influence him but what happens when it’s the wrong child? And what happens when Heaven and Hell are both willing to do whatever it takes for the ultimate face off to happen?
Nail Gaimon wrote the screenplay and worked in the role of showrunner for the production and it shows. I think this may be the most true translation of novel to screen that I’ve seen. From the perfect casting to joyful irreverence, this show is a pure pleasure to watch. I’ve seen it three times all the way through and have plans to watch a fourth time and am willing to bet that I’ll see a host of things of hidden jokes and sly references. A demon and an angel who have lived long among the humans and developed an affinity for humanity have a crisis of divine purpose vs what they really want. Early on there are two great scenes. In the first great scene, the Archangel Gabriel (Jon Hamm) finds Aziraphale in a sushi restaurant and question why he’d want to foul his mortal shell with ickiness. In another scene, Crowley roars up in his classic car to take delivery of the baby Antichrist and his fellow demons go over their accomplishments in securing souls. Crowley gives this off-hand high tech explanation of his mass frustration of humanity as they stand there dumbfounded. The humor in both scenes is pure Pratchett. Tongue in cheek, setting up the beings with whom we’ll spend the length of the miniseries and highlighting their hesitance to give up the comfortable lives they’ve established.
Good Omens is a complex story. In part it’s about the Prophesies of Agnes Nutter and her descendants carrying on her tradition, in part it’s the story of an impending war between heaven and hell and it’s also part the story of a great friendship of opposites formed outside of the gates of the Garden of Eden as two immortals ponder God’s ineffable plan. Narrated by God herself (voiced by Frances McDormand), it’s a mostly linear story that bounces through time. Aziraphale and Crowley do their best for the little Antichrist but, in the end, their efforts are pointless.
As one would expect from the cast, the acting in Good Omens is outstanding. Micheal McKean as Witchfinder Shadwell is just comic genius. Jack Whitehall as Newton Pulcifer/ Adultery Pulcifer is just probably the best performance this actor has turned out. Sam Taylor Buck as Adam Young (the Antichrist) is convincing in fighting his dangerous side. The scenes with Adam and his group of friends are as interesting as the playful byplay between the more seasoned Michael Sheen and David Tennant. These young actors have great futures ahead of them.
Good Omens is simply amazing. To say too much would involve spoilers. I know that there’s been some backlash against the production because it’s considered blasphemous and, if you’re religious, I’m sure it is but only in the best way. How nice must it be to be so absolutely sure that things that are unseen in life exactly as you think they are. That God is a long haired white dude and not some cheery lady with an American accent and a sly sense of humor. This is fiction, it’s not literal and I’ve always been of the opinion that if you don’t like it, don’t buy it, but that’s me. It is tongue in cheek and clever. The rare talent that comes along in literature and thank goodness for Neil Gaimon translating it to the screen because it was the production was just a joy. To see some of the best scenes from the book acted out and exactly as one would have pictured them is just delightful. Agnes Nutter throwing open the door and facing Adultery Pulcifer was just beautiful. Will there be more? I don’t know but given that Pratchett died after the publication of this first novel, I can’t see Gaimon going back to that well. Gaimon is an author that seems to respect legacy and as talented as he is, I would think that Gaimon would hesitate to continue without his original co-author’s cooperation.
See Good Omens. See it now. It is wonderful, amazing and fully worth binging over and over.
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